Review: Nights in Rodanthe

Review: Nights in Rodanthe

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By Alex Bentley, Pegasus News

Unabashedly romantic films are in short supply in Hollywood these days. Oh, romantic comedies are always being made, but the romance in them is more often than not balanced out with shtick and other low-brow antics. For pure romance, one has to search far and wide for your fix.

Nights in Rodanthe, based on the Nicholas Sparks novel of the same name, can be seen as an antidote for that lack, but it's also a film that's refreshing in that it doesn't make the romance the end all, be all of its story. The two main leads, Adrienne (Diane Lane) and Paul (Richard Gere), come to an inn in the titular town for vastly different reasons. Adrienne is dealing with an estranged husband (Christopher Meloni) who's suddenly decided he wants her back, while Paul, a surgeon, is looking to atone for a tragedy that occurred on his watch.

Of course, the setting – in this case, an impossibly picturesque house set right on the beach – and other circumstances push the two together in ways they couldn't have anticipated. However, their unexpected romance is far from the only storyline going on – both must deal with various situations affecting their lives, which keeps the film from devolving into schmaltzy territory.

Also helpful to the film's success is the idea of a mature romance. This is not some fly-by-night affair that might occur between two younger people. Both characters greatly appreciate how hard it is to find love once, much less twice, and when the opportunity presents itself, neither one of them takes a second of their time together for granted.

The filmmakers knew what they were doing when they cast Gere and Lane. Together now for the third time (after The Cotton Club and Unfaithful), the duo have such a chemistry that even a sideways glance can carry much meaning. The movie obviously hinges on their relationship, and they don't disappoint.

The same can't be said for some of the supporting actors. Mae Whitman (arguably best known for playing George Michael's girlfriend on Arrested Development) gets little to do but play the sullen, shrieky teenager for much of the film, although she redeems herself when the role requires her to be quiet and introspective. Viola Davis, a wonderful actress, plays Adrienne's best friend, but her role insults her abilities. She's the sassy friend that only pops up when Adrienne needs some help – Davis deserves much better.

Nevertheless, Gere and Lane make up for any other deficiencies, as does James Franco in a small but crucial role as Paul's son. Romance may not be here to stay at the movies, but at least it's made an impression when it's given a chance.

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